Thursday, December 2, 2021

The Twelve Days of Christmas: A Christmas Folktale from Scotland

Once upon a time, a partridge in a pear tree lived in a castle on the far side of Edinburgh with two turtle doves, three French hens, four calling birds, five golden rings, six geese a-laying, seven swans a-swimming, eight maids a-milking, nine ladies dancing, ten lords a-leaping, eleven pipers piping, and twelve drummers drumming. 

A long time ago in a Christmas Eve winter snowstorm, the partridge had been delivered to the doorstep of the magical castle in Edinburgh as gifts to the Scottish people by Father Christmas. The castle was owned by Father Christmas and used as one of his many second homes when travelling throughout the world. He wished that the Scottish people would have lasting love through the dark winter season. 

As long as the enchanted troupe lived in the castle, the partridge was under strict orders from Father Christmas to organize the troop every year to spread true love from December 25th through January 6th.  If the presents didn’t do their job, Father Christmas said he would disband them.

Thanks to the chirping of the partridge, many of the locals had caught word of the assignment that Father Christmas had given them and showed up on their doorstep every time they had a romantic dilemma. 

The majority of the year the partridge and the other gifts would receive and organize letters from the Scottish people in search of eternal love and solutions during the Christmas season. The yuletide emissaries themselves had become a symbol of romance and love. They had received abundant requests to travel all over Scotland as gifts, to bring hope to waning romances and doubting hearts. The partridge did everything she could to help the people have a profound realization about true love by January 6th, which was also known as Epiphany. 

However, after many years of attempting to orchestrate great love stories, the gifts had given up, or rather, the Scots had given up on the twelve gifts and stopped writing them for help. With many failed attempts to bring everlasting love at Christmas, the partridge knew that Father Christmas had also lost faith in them. If they soon didn’t have more successes, the partridge feared he would split them up and send them off to different owners as gifts. 

Then, the partridge would miss the beautiful castle and all her friends in Edinburgh. She loved sitting by its fireplace that told magical stories with its embers. She would miss it so much if she had to leave. She looked up at its soaring ceilings with enchanted icicles and floors with polished ice that never melted. The gingerbread staircases with candy cane railings were lovely.

“Do you think that we can really bring true love?” asked the partridge to her other castle companions. She nibbled on a sweet pear in her tree. “The last several times we tried; it didn’t go very well, and all of Scotland knows it.” 

Despite her doubts, she opened a recent piece of mail that sat on the dining room table. As she read it, she hoped that she and her friends could pull it together and show everyone that they could still be the twelve gifts of pure love at Christmas. 

“This letter sounds desperate,” she told the group of gifts, as they sat around the long table in the castle. 

 

To Whom It May Concern, 

I’m desperate to find true love. I am lonely and have no family. I’ve heard that Father Christmas gave you to the Scots to bring us love at Christmas. If you could please lend me your magic powers and help me find true love this year, I would be ever so grateful. I have a certain lady in mind named Isla Campbell. I once met her at a Hogmanay celebration, and I never forgot her. Please help me win her over. I still believe in true love and hope you do as well. Thank you very much indeed. 

Yours truly, Brodie Brown

 

As the partridge passed the letter around the table for the gifts to read, the drafty room fell silent. The gifts nodded their heads and shrugged their shoulders. The partridge felt a bit nervous. She realized that the person who wrote the letter really believed that the gifts had the answers to his love life. She knew the troop would need a lot of preparation.

A few of the previous disasters stood out in the partridge’s mind, like the time the two turtle doves tried to have two people kiss by picking them up and flying them toward each other, but they knocked heads and got concussions. Another instance is when the eight maids a-milking made a romantic dinner for a couple, to find out later that the milk was sour, and the people got food poisoning. Even worse, the ten lords a-leaping taught a dance class, but the fiancée of a wealthy landowner broke her ankle. The partridge knew it could only get better.

“We are very much in love,” two turtle doves said to each other with coos. They stroked their feathers. “Maybe we can help this young man after all.”

“Oui, oui,” sang the three French hens. “If lovers listen to us, our accents can make them think of the romance of Paris!”

“I certainly hope so,” the partridge said. “I know you are trying to convince all of us that we can succeed this time.”

“We sing love songs,” the four calling birds said and hummed a tune. “It makes anyone fall in love if they have any musical sense.”

“Our golden rings make real gentlemen think of proposing at Christmas,” the five golden rings said, as they clanked against each other. “We fit so easily on empty fingers.”

“Well, at least if we had one big success this year, then Father Christmas might be proud of us, and let us continue to live in the castle,” the partridge said, as she admired a life-sized floating snow globe across the room with a Christmas scene in it. “I love this place!” 

“We have magic in our eggs, and they give you the heart of a child,” the six geese-a-laying said. They squawked and rolled golden eggs from under their wings. 

“When we put our necks together, we make hearts,” the seven swans-a-swimming said. They swooned with admiration. “We only ever have one mate for life! Humans are so shallow sometimes.”

“We bake the most delicious cakes with our milk,” explained the eight maids-a-milking. They flipped through their cookbooks. Each maid wore a patterned apron and a plain dress. “I don’t think couples eat proper dinners with desserts together anymore. Sigh.” 

“Dancing is the most romantic thing that couples can do together,” said the nine ladies dancing. They kicked their knees up high. 

“Leap for joy at the thought of true love!” exclaimed the ten lords-a-leaping. 

“Celebrate the love that can be found at Christmas!” said the eleven pipers piping with delight. The traditional Scottish pipe band played their bagpipes in unison. 

“True love marches to its own beat!” quipped the twelve drummers drumming. 

“Well, maybe we should try again,” the partridge suggested. “I could respond to this kind sir and say that we would be willing to help him. He seems to be stuck on romantic suggestions to win over his lady friend. Everything up until this point must have been practice for us. We are all much wiser now. We have to be able to bring him true love this time!”

“We’ve been stuffed in this castle alone for too long,” agreed the two turtle doves. “We don’t have much to do this year at Christmas anyhow!” 

“The world has stopped calling on us to bring true love with Christmas magic,” the three French hens said. “This man is willing to give us another try. We should take him up on it.”

“Then, we will plan to spend Christmas with Brodie Brown,” the partridge said. 

The bird knew that it would take a lot of strategizing, but she could not imagine a grander idea at the holidays. Father Christmas believed that the twelve gifts had a special magic, so the partridge thought he must somehow be right. She looked at the wall of magically synchronized ticking clocks in the castle that counted down the minutes until Christmas Eve. 

 

On the eve of Christmas Eve, the partridge and the gifts travelled by train from Edinburgh to the home of Brodie in Inverness in the Highlands with its rolling hills and deep valleys. They arrived at Brodie’s door ready for action. 

“Merry Christmas! We’re here early ready for Christmas morning, and we aren’t leaving until you have an epiphany on the 6th,” the partridge said. As the bird knocked on the door, her pear tree sat beside her. Then, the door swung open, and Brodie stared at the gifts with shock. “Show us where to set up! We have lots to do!” she said. 

“I thought you wouldn’t be arriving until Christmas morning!” Brodie said. “The place is a mess. Can you help me tidy up a bit? I want to propose to Isla on Christmas day. I’ve asked her to come for brunch at my home.”

“We are at your service,” the partridge said. The gifts filed into his home one at a time. The partridge had never been so excited and had a good feeling in her belly.

 

When Brodie’s special someone, Isla, arrived at ten o’clock on Christmas morning, the gifts presented themselves one at a time as a symbol of true love. The partridge thought this was the best plan for success. 

“Gift one: Please be the partridge in my tree, Isla,” Brodie said. “Gift two: we are like these two doves. Gift three: the hens symbolize our faith, hope, and love.”

“All this for me?” Isla said with a smile. “You have gone to quite some trouble!”

The partridge thought Brodie was certainly off to a good start.

“Four calling birds for always speaking love to each other,” Brodie said. “Five golden rings for commitment.”

“Brodie, you have gone out of your way!” Isla said. “I just thought we were having a brunch.”

The partridge looked at the brunch on the stove in the kitchen and hoped it wasn’t getting cold, but the food was not the point of this special Christmas morning. 

“Gift six: geese a-laying for whatever we might dream up together!” Brodie said to Isla. “Gift seven: swans a-swimming to match your grace and elegance. Gift eight: maids a-milking for nurture and care.”

“Are there more gifts?” Isla asked. “Where did you find all this extravagance?”

Mishaps and mistakes had gone by the wayside so far, but the partridge knew the gifts were still not in the clear.

“Nine ladies dancing for joy and fun!” Brodie said. “Ten lords a-leaping for devotion and gallantry! Eleven pipers piping for the music we will make together! Twelve drummers drumming for how our hearts will beat together!”

After the twelve drummers drummed, Brodie got down on one knee. 

“Will you marry me?” Brodie asked Isla. Silence filled the room with anticipation.

The partridge could hardly believe her eyes that the presentation had gone so well. 

“I’ll think about it, Brodie,” she said. “This is all such a surprise. I’m just not sure that true love exists. I’ve had such bad heartbreak in the past.”

The partridge sighed with a touch of despair, and Brodie seemed disappointed, but at least she didn’t say “no.”

“Please don’t leave until Epiphany,” Brodie said. “You can give me your answer then. We could spend the Twelve Days of Christmas together.”

“Yes, dear, I just need some time to think a bit,” Isla said, as she touched his hand. 

Then, the gifts got down to work. The partridge hid love notes for Brodie and Isla underneath their pillows at night. In the morning, the calling birds woke the couple with songs and chirps. The geese delivered breakfast in bed with omelets from their own eggs. 

During the day, the turtle doves wrote romantic poetry for them. The gold rings insisted they must be worn. Then, the French hens baked romantic meals like coq au vin and crème brûlée. After dinner, the swans took the couple ice-skating on a frozen Scottish loch. The maids made hot chocolate and ice cream for dessert each night. 

The ladies taught the couple how to waltz, while the lords insisted on knightly gestures and deep conversation. At night, the pipers and drummers played their bagpipes and drums under the stars. The gifts made up original songs about Brodie’s romance with Isla. 

            On the final night, Brodie left Isla a handwritten note on her pillow that told her how much he had always admired her. 

            

            My Dearest Isla,

            These past twelve days with you have been pure joy. 

            Please say you will be mine. 

            I want to spend a lifetime with you. 

            Your love, 

            Brodie.

 

In short, the gifts wooed the couple for twelve days until it became clear that Isla had made her decision. The partridge thought it was like a lightbulb went off in her head by Epiphany. Just like the holiday, she had a spiritual awakening and clarity. 

“I will marry you!” Isla said. “I love you! I’ve never had twelve days like this in my life.”

The partridge cried tears of joy with Brodie and Isla. The gifts cheered in celebration. Within hours, the partridge was sure that the rest of the village would know of their success and mail would start pouring into the castle again. 

When she looked out the window, she caught a glimpse of Father Christmas in his sleigh with his reindeer. He chuckled and flew off into the sky. 

As time went on, the enchanted troupe became so famous that Father Christmas wrote a song called “The Twelve Days of Christmas” about their romantic efforts. The partridge and the gifts found ongoing success with their adventures, and everyone in the world wanted true love at Christmas.

 

Copyright 2022, 2025 Jennifer Waters

Monday, November 8, 2021

"Mr. Santa's Song," A MERRY CHRISTMAS CAROL

VERSE:

Jesus, can we please have snow for Christmas?

If I had just one wish, if I had just one prayer,

It would be for white flakes to float through the air.

It’s just not the same without a storm,

Rudolph doesn’t think that it’s the norm.

Jesus, can we please have snow for Christmas?

 

VERSE:

Jesus, can we see your star for Christmas?

If I had one more wish, if I had one more prayer,

It would be for your light to shine everywhere.

It keeps me on course on Christmas Eve,

It helps my weary elves believe.

Jesus, can we see your star for Christmas?

 

CHORUS:

And while we’re at it, I might need to shrink a pound.

I’ve been a bit too jolly, and my belly’s growing round.

I can’t fit down the chimney, and the children need their toys.

Please hear my request; I love all the girls and boys.

 

VERSE:

Jesus, can we join your choir for Christmas?

If you’re not keeping count, I’ve got another prayer.

It would be for your band to spread lots of cheer.

The angels and saints in one accord

With trumpets, harps, and praise for the Lord!

Jesus, can we join your choir for Christmas?

 

CHORUS:

And while we’re at it, how I need to shrink a pound.

I’ve been a bit too jolly, and my belly’s growing round.

I can’t fit down the chimney, and the children need their toys.

Please hear my request; I love all the girls and boys.

 

BRIDGE:

And could you please make up for what I lack?

I can’t meet every need with the gifts inside my sack.

I’ve made up my list, and I’ve checked it twice,

But some presents I can’t give even if the kids are nice, oh, oh, oh.


VERSE:                  

Jesus, can our hearts have peace for Christmas?

If your ear could extend, I’ve got a final prayer. 

It would be for your hand to dry each last tear.

I’m doing my best beneath the trees.

I hope the world bends down on both knees.

Jesus, can our hearts have peace for Christmas? 


TAG:

Jesus, can our hearts have peace for Christmas? 


Copyright 2022, 2024 Jennifer Waters

"Santa Moved the Spoons," A MERRY CHRISTMAS CAROL

VERSE:

I spent all day baking cookies

For Santa and his merry elves.

Then I folded a napkin with two spoons and a knife.

I’d never been so excited in all my life,

And when I woke up in the morning,

The Christmas tree was overflowing and . . .

 

CHORUS:

Santa moved the spoons.

He ate each and every crumb.

Momma said she gave the gifts,

But Daddy I’m not dumb.

It was Mr. Claus, and I know this because,

I heard Rudolph on the roof,

And Santa moved the spoons.

 

VERSE:

It’s not like the Easter Bunny.

Can’t come close to a Leprechaun. 

I waited and watched for a clue that St. Nick was there,

Didn't find a strand of Momma’s brown hair.

Now when I look at Grandma’s silver,

I have tingles, chills, and shivers ‘cause . . . 

 

CHORUS:

Santa moved the spoons.

He ate each and every crumb.

Momma said she gave the gifts,

But Daddy I’m not dumb.

It was Mr. Claus, and I know this because,

I heard Rudolph on the roof,

And Santa moved the spoons.

 

BRIDGE:

If Momma and Daddy still don’t believe,

Can I test for fingerprints, please?

Santa’s hands were everywhere

From the fireplace to the rocking chair, oh . . .

 

CHORUS:

Santa moved the spoons.

He ate each and every crumb.

Momma said she gave the gifts,

But Daddy I’m not dumb.

It was Mr. Claus, and I know this because,

I heard Rudolph on the roof,

And Santa moved the spoons.

 

TAG:

I heard Rudolph on the roof, 

And Santa moved the spoons.

Yes, Santa moved the spoons!

 

Copyright 2022 Jennifer Waters                     

Sunday, October 3, 2021

"The Glory of the Snow," A MERRY CHRISTMAS CAROL

VERSE:

Have you done your

Windowshopping?

Christmas day

Will soon be here.

Celebrate now,

With love and cheer,

And the glory of the snow.

 

CHORUS:

Christmas wouldn’t be half the fun,

Without the weather that freezes the sun.

Winter white in a storm of snow,

Makes the stars shine and glow.

 

VERSE:

Do you feel the flurry, 

Falling on the roof top?

Catch a crystal,

On your tongue.

Believe in magic,

While you’re young.

It's the glory of the snow.                                                  

 

CHORUS:

Christmas wouldn’t be half the fun,

Without the weather that freezes the sun.

Winter white in a storm of snow,

Makes the stars shine and glow.

   

BRIDGE:                     

One snowflake, two snowflake,

Three snowflakes, four!

Snow on snow, and forevermore!

 

CHORUS:

Christmas wouldn’t be half the fun,

Without the weather that freezes the sun.

Winter white in a storm of snow,

Makes the stars shine and glow.

 

TAG:

It's the glory of the snow!

It's the glory of the snow!

 

Copyright 2022 Jennifer Waters

Wednesday, September 15, 2021

Father Time: The Story of a Magical Clock Shop

In an abandoned lighthouse on the coast of Great Point in Nantucket, Massachusetts, the morning sun climbed over the water as if it had somewhere important to be.
      Kairi Quinn watched it from the passenger seat of her mom’s rental car, knees pulled up, hoodie sleeves swallowed over her hands. The ocean glittered like a thousand watches ticking at once.
      “Okay,” her mom said, squinting at the dirt path. “Great Point Lighthouse. We’ve got… thirty minutes. Then we have to head back.”
      Thirty minutes.
      Kairi felt the number land on her like a weight. At age 11, thirty minutes was the kind of time that vanished. It slipped through fingers. It disappeared in the space between we’ll do it later and we should’ve done it sooner.
      “Can we just… stay longer?” Kairi asked.
      Her mom’s phone chimed—an email, a calendar reminder, something that made her thumb move before she even answered.
      “We’ll see,” her mom said, which always meant no.
      Kairi stared out the window as the lighthouse rose ahead—tall, weathered, lonely. It looked like something time had forgotten to erase. That wasn’t supposed to be comforting. But it was.
      Her mom parked near a cluster of scrubby grass and a few scattered beach roses. A small sign pointed toward the lighthouse. Another sign, hand-painted and slightly crooked, read:
      THE O’CLOCK SHOP: Clocks Repaired & Time Reclaimed
      Kairi blinked.
      “Weird,” she murmured.
      “Probably just a tourist thing,” her mom said, already gathering her bag. “Come on.”
      The closer they walked, the more Kairi heard it: ticking. Not one clock—many. Dozens. Hundreds. A whole crowd of tiny beats, like a roomful of nervous hearts. Kairi’s own heart joined in.
      They rounded the lighthouse base, and there it was—an open doorway in a small building attached to the tower. A bell over the door jingled when they stepped inside.
      And the sound hit Kairi like a wave.
      Tick-tock. Tick-tick-tock. Tick. Tock. Tick-tock-tick-tock—
      It was dizzying. The shop was filled with little clocks, big clocks, grandfather clocks, wrist watches, and pocket watches. Every shelf, every wall, every corner held something with hands, gears, pendulums, or faces that stared straight out as if they could see right through her.
      Kairi swallowed.
      An unknown radio station played softly in the background—she recognized the chorus of a song about time, and then another. Every song seemed to have time in the title or the lyrics. Even the commercials sounded like they were trying to sell her minutes.
      Behind a counter stood an elderly bearded man in overalls. He had hair as white as sea foam and eyes that looked bright and sharp, like they’d been polished. He was opening the shop windows to a bright July morning, letting in the salty air.
      He turned, and his smile arrived before his words did. 

“I can fix anything that ticks,” the man quipped. “Bring me your clocks and your watches, even if they run on batteries. Time flies! I’ll help you catch it.”
      Kairi’s mom laughed politely. Kairi didn’t.
      Because on the wall behind him hung a painting—A Dance to the Music of Time by Nicolas Poussin—and next to it, hung like it belonged there, was a huge scythe. A large hand tool. The kind Kairi had only seen in old pictures of harvest fields, and darker things. On the counter sat a bronze and silver hourglass. It looked heavy, important—like it shouldn’t be touched by regular hands.
      The man noticed Kairi looking. He leaned closer. 

“Once in a while, the station plays songs in cut time,” he said with a wink. “Not common time at all. But you knew that already. It’s all about time!”
      Kairi opened her mouth, then shut it.
      Her mom’s polite smile tightened. “Is this a museum? Or a shop?”
      “A shop,” the old man said. “The O’Clock Shop.” He glanced at Kairi again. “Some people call me Father Time. But my name is Eliad. What’s your name?”
      “Kairi,” she answered.
      He hummed thoughtfully. “Kairi. Do you know the difference between Chronos and Kairos?”
      Her breath caught.
      “Chronological time keeps everything in order,” he said gently. “But there is another kind of time—a time for action. When one of my clocks sounds an alarm, that’s the moment to aim and release. Kairos is that kind of moment.”           

Kairi felt her dad’s voice echo somewhere deep inside her. A time for action. A right time.
      She stepped farther into the shop. A cuckoo clock waited, tense. An upright piano stood in the corner, a metronome ticking steadily atop it. It would not deviate a beat.
      “In most of my clocks,” Eliad said, watching her, “I hide instructions in a back secret door, where customers can find the information when they are ready to confront the fleeting time in their lives.”
      “Let me tell you a little secret,” he whispered. “If you turn the hands seven times backward and then seven times forward, you will get seven more hours in your day.”
      “What are you talking about?” someone nearby questioned.
      The bell over the door jingled again. A woman stepped inside as if she belonged to a different layer of the world. Flowers intertwined with her golden hair. Petals clung to the hem of her silk dress.
      “Eliad,” she called warmly.
      “Mother Nature,” he replied, clearly in love. “You are so beautiful, Autumn!”
      “I long for the fullness of time!” she called.
      She walked through the shop with a bowl of blueberries and tourists in tow. 

“What a time and season!” she said. “Do you have advice for such a time as this?”
      Depending on which clocks the customers touched, Father Time showed them how to turn back the Hours, turn forward the Hours, make the Hours stand still, and even extend the Hours.
      “A patient heart beats a lot stronger,” he joked. “Did you know that you have a ticker, just like a clock? A day is like a thousand years, and a thousand years are like a day.”
      “It just takes a little time,” Mother Nature said softly. “Is there any place in your lives that you need to sow seeds?”
      The visitors stood uncertain. One dainty customer pressed the keys on the upright piano, keeping in step with the metronome.
      “If I plant seeds today, sometimes I don’t reap a harvest for years,” Autumn said. “This is a trustworthy saying: ‘God has made everything beautiful in its time. He has also set eternity in the human heart; yet no one can fathom what God has done from beginning to end.’”
      A little girl ran to the largest grandfather clock and tried to squeeze herself inside. 

“I want to be beautiful!” she said. 
      “This clock is centuries old! It’s priceless and not for sale. The ancient Greeks built it,” Father Time scolded. “You can’t live in a clock anyhow! Make the most of every opportunity because the days are evil. Number your days!”
      “Have you heard from that unscrupulous beast called the Hours?” Mother Nature asked.
      “He leaves me threatening notes time after time,” Father Time answered. “The Hours is ruthless and steals so much from so many people, but not if I have anything to say about it.”
      A gust of wind rushed through The O’Clock Shop, shaking the walls. Several alarms went off at once, including the enchanted grandfather clock.
      Father Time looked out the window. Kairi followed his gaze.
      In the high grass stood the Hours, swinging a scythe. Kairi felt shock. She noticed that the hook on the wall where the scythe had hung a few moments ago was empty.

She and her mother stood breathless. 

“There’s a man out there with a blade!” her mother whispered, backing toward the door.
      “How did you steal my sickle again?” Father Time yelled. “Give it back now!”
      The skeleton body of the Hours was robed in a black-hooded cape. A pale horse stood beside him. A crow hovered over his shoulder. A snake with a tail in its mouth crept at his feet.
      “Nothing lasts forever! I have come for your souls! You cannot escape me! Time devours all things!” the Hours yelled. 
      Then, for a heartbeat, Kairi saw them—large, daunting wings on the shoulders of Father Time. When she blinked, they were gone. She wondered if anyone would believe her. 
      Father Time strode to the ancient grandfather clock and stopped the mortal hands of time. The ticking faltered into silence.

Kairi felt the silence before she understood it.
      It wasn’t just the clocks that had stopped.
      Something inside her chest seemed to hesitate, like her own heart was unsure whether it was allowed to keep going. The air thickened, pressing against her ears. Even the waves outside looked frozen in mid-crest.
      The Hours turned his hollow gaze toward her.
      Not toward Father Time.
      Toward her.
      Cold rushed through Kairi’s arms, down to her fingertips. For a terrible second, she couldn’t remember the sound of her father’s voice. It slipped just out of reach, like a word on the tip of her tongue.
      No.
      She squeezed her eyes shut.
      She pictured the hospital room. The steady beeping. Her father’s hand wrapped around hers. The way he had whispered her name—Kairi—as if it meant something strong and certain.
      A time for action.
      “You don’t get that,” she breathed, though she wasn’t sure if she was speaking to the Hours or to the dark space inside her fear.
      She pressed her palm against the glass of the grandfather clock.
      “I won’t give it to you,” she said. 
      For a heartbeat, the silence trembled.

“Now be gone!” Father Time commanded.
      The Hours vanished. The scythe reappeared on the wall. 

Slowly, Father Time allowed the hands to begin once more.

“Guard yourself from the Hours,” Father Time said, his voice steady now. “He’s gone for the moment. But he returns when you least expect it. Don’t give him what isn’t his.”
      Kairi’s throat tightened. “Can you fix it… when time steals someone?” she said. 

Her voice felt smaller than she meant it to. She kept her eyes on the floorboards because if she looked at him, she might cry in front of everyone.
      She was thinking of the hospital room with its pale walls and the steady machines that ticked and beeped like impatient clocks. She was thinking of the way her father’s hand had grown lighter in hers, as if time were slowly loosening its grip.
      There had been so many things she meant to say. So many questions she thought there would be time for later.
      Later never came.
      The Hours had taken that, too.
      Father Time’s eyes softened. 

“Some things cannot be fixed by turning hands,” he said gently. “But some things can be redeemed. Chronos will keep marching. But Kairos is the moment you choose what to do with what you’ve been given.”
      The waves outside moved in steady rhythm, ebb and flow like a clock. The lighthouse stood tall against the sky.
      “And you,” Father Time said quietly, “have more time than you think—if you don’t give it away to the Hours.”
      Kairi nodded, feeling something small and stubborn take root inside her.
      “What do I do?” she asked.
      “First,” he said, “you don’t pretend you didn’t see what you saw. Second, you number your days—not to fear them, but to fill them. And third… when the right time comes, you act.”

Kairi looked back at the ancient grandfather clock. The hands were moving again, steady and certain, as if nothing extraordinary had happened at all.
      But she knew better.
      Thirty minutes had passed. She was sure of it. And yet the time did not feel stolen. It felt full—like something had been planted instead of taken.
      The ticking no longer sounded frantic. It sounded patient.
      She pressed her fingers lightly to her wrist and felt her pulse—strong, steady, present.
      The Hours might come again. Father Time had said so. But next time, she would not stand still.
      Next time, she would act.

“Our thirty minutes is up,” Kairi’s mother said. “Honey, we have to go before anything else strange happens around here. 

“Yes, Mom,” Kairi said. “It’s time to leave.”

Tick.
      Tock.


Copyright 2023, 2026 Jennifer Waters



Pen Jen's Inkwell Podcast version:

In an abandoned lighthouse on the coast of Great Point in Nantucket, Massachusetts, an elderly bearded man in overalls opened the windows to a bright July morning. 

Over time, he had converted the tower and its nearby buildings into The O’Clock Shop, where he made and repaired clocks. 

“I can fix anything that ticks,” the man who many people called Father Time quipped. “Bring me your clocks and your watches, even if they run on batteries. Time flies! I’ll help you catch it.”

His shop was filled with little clocks, big clocks, grandfather clocks, wrist watches, and pocket watches. Each of them tick-tocked at once, causing most customers to feel dizzy with the noise, especially when he turned up an unknown radio station that only played songs about time. 

“The channel comes in since I’m near the coast,” he explained to visitors, glancing at his painting “A Dance to the Music of Time” by Nicolas Poussin. “Once in a while, the station plays songs in cut time with two half-note beats per measure,” he continued. “As if anyone was counting, cut time is not at all common time, but you knew that already. It’s all about time!”

On his wall hung a huge scythe, a large hand tool, in case he needed to cut back the beach grass, and a bronze and silver hourglass sat next to the cash register that he flipped each New Year.  Customers often swore that they saw wings on his back, such as John Gray, the neighboring fisherman, who looked at Father Time, convinced he saw large, daunting wings on his shoulders. When Mr. Gray looked again, the wings were gone, as if they were never there in the first place. 

“Did you see the wings this time?” Mr. Gray would ask his wife Joan when they visited the shop.

“No, honey, I didn’t see the wings,” Joan chuckled, admiring the clocks. “Maybe next time.”

As the beach waves crashed against the shore, they created an ebb and flow rhythm almost like a clock. With each splash of water, a new timepiece came alive as the clocksmith tinkered away.

“What a brilliant moon hangs over the ocean tonight,” Father Time pronounced in awe, standing atop his lighthouse after a full day’s work. He lit the tower for sailors that journeyed across the ocean in sea time. “I’m a timekeeper for the ages. The pendulum swings wide! I wonder who will come into the shop tomorrow, and how I’ll be able to help with the evil Hours.”

“Eliad, maybe I’ll stop by with some friends,” called Mother Nature from the moonlit beach to Father Time. She lived up the coast in a small cottage overgrown with flowers, fruit trees, and stalk vegetables. Flowers intertwined with the golden locks of her hair, as if the daises and roses grew from her own scalp. The starlight shone on her countenance that radiated like a vibrant angel in a silk dress. 

“See you in the morning, Autumn!” Father Time exclaimed, clearly in love with his elegant neighbor. “I’d really enjoy some more of your blueberries from the bushes in your back garden.”

“I’ll see what I can do,” Mother Nature replied, leaving a trail of flower petals in the shadowy sand. “I long for the fullness of time!” she called. 

Bright and early, Mother Nature knocked on Father Time’s shop door with a large bowl of blueberries and a group of tourists who she’d met on her morning walk, interested in his magical clocks. 

“What a time and season!” Miss Nature chuckled. “Do you have advice for such a time as this?” she asked. 

Depending on which clocks the customers bought, Father Time showed his patrons how to turn back the Hours, turn forward the Hours, make the Hours stand still, and even extend the Hours.  

“Let me tell you a little secret,” Father Time whispered, when he was sure he could trust the customer. “If you turn the hands seven times backward and then seven times forward, you will get seven more hours in your day. I thought I’d let you know in case you need some more time.”

“What are you talking about?” most customers questioned, confused at Father Time’s advice. The idea of what he was saying could happen was beyond their ability to believe. 

“The real question though is if you’re in need of Chronos or Kairos,” Father Time clarified. “Do you know the difference? Chronological or sequential time is different than a time for action. If an alarm goes off on one of my clocks, it’s time to hit the target like an archer. Kairos is pivotal.”

In most of his clocks, Father Time hid instructions in a back secret door, where customers could find the information when they were ready to confront the fleeting time in their lives.

“Did you know that you have a ticker, just like a clock?” Father Time joked to Mother Nature, scooping handfuls of the blueberries into his mouth. “A patient heart beats a lot stronger. A day is like a thousand years, and a thousand years are like a day.”

“It just takes a little time,” Mother Nature explained, fixated on a swinging pendulum. 

“Is there any place in your lives that you need to sow seeds?” Autumn asked the strangers that she invited into the shop that morning. 

            Unsure of what to say, the visitors shrugged their shoulders in silence. 

One dainty customer quietly pressed the keys on an upright piano in the corner, keeping in step with its metronome that would not deviate a beat. 

“If I plant seeds today, sometimes I don’t reap a harvest for years,” Autumn announced. “This is a trustworthy saying: ‘God has made everything beautiful in its time. He has also set eternity in the human heart; yet no one can fathom what God has done from beginning to end.”

“I want to be beautiful!” the little girl in the tourist group cheered, running to the largest grandfather clock at the front of the shop, opening its main door, and trying to squeeze herself into the clock body. The clock was decorated with gold trim and carvings. It had a special glow about it as though it was other-worldly. 

“This clock is centuries old! It’s priceless and not for sale. The ancient Greeks built it,” Father Time scolded, grabbing her and plopping her on the ground. “You can’t live in a clock anyhow! Make the most of every opportunity because the days are evil. Number your days!”

“Have you heard from that unscrupulous beast called the Hours?” Mother Nature inquired, shinning up the glass door where the little girl smudged it. 

“He leaves me threatening notes time after time,” Father Time answered. “I throw them out and keep selling my clocks. No one deserves to have even a minute stolen from them. The Hours is ruthless and steals so much from so many people, but not if I have anything to say about it.”

“The Hours is completely cuckoo,” Mother Nature sighed, listening to the cuckoo clock sound at thirty minutes past ten. 

“My vegetable garden was torn to shreds, and I spent so much time tending to it. I know it was the Hours, but the only thing I can do is try to redeem the time and turn the hands back on one of your clocks. Other people have many worse things that need redemption, but it’s still upsetting. I was looking forward to hearty vegetable soups.”

A large gust of wind rushed through The O’Clock Shop, shaking the machines on the walls. Several alarms went off at once, including the enchanted grandfather clock.

As Father Time looked out the window, he saw the Hours standing in the high grass, swinging his scythe. 

“How did you steal my sickle again?” Father Time yelled at him out the window. He looked at his wall to see the empty space where it had been hanging. “Give it back now!”

“The Hours must have slipped through the shop when we weren’t looking,” Mother Nature cried, looking at the trembling customers. “Do his tricks ever end?”

The skeleton body of the Hours was robed in a black-hooded cape. A pale horse stood beside him, neighing and screeching. A crow hovered over his shoulder. A snake with a tail in its mouth creeped at his feet. 

“A crazy man is outside your shop, swinging a large knife!” yelled neighbor John Gray, running up Father Time’s front walkway, out of breath, and into The O’Clock Shop. “What is going on around here?”

“Maybe we should just call the police, honey!” his wife, Joan, cried, standing in shock in the shop, finally seeing the wings on the back of the clockmaker. “He does have wings!” she gasped. 

“Nothing lasts forever! I have come for your souls!” The Hours screamed, and his voice echoed up and down the coast. “You cannot escape me! Time devours all things!”

“Speak of the Hours,” Father Time warned, walking over to his priceless grandfather clock, and stopping the mortal hands of time. “Now be gone!” he called to the Hours. 

With that, the Hours disappeared, nowhere to be found, and Father Time’s scythe reappeared on his wall. Then, the clockmaker allowed the hands of time on his ancient grandfather clock to begin once more.

“Guard yourself everyone from the Hours! Don’t let him steal from you,” Father Time instructed. “He’s gone for now, but he comes back when you least expect it. You never know what he might do! You don’t owe him anything. There is a time for everything! I’ll put my time signature on that for life. Life and life to the full!” 

 

Copyright 2023 Jennifer Waters


https://soundcloud.com/jen-waters/fathertime

The Potter's House: The Story of Clay and The Wheel

Sage Conrad unlocked the door to The Wheel before the church bells finished chiming nine. Charleston humidity clung to the air, soft and heavy, carrying the scent of marsh and salt. She welcomed it. Clay behaved better when the air held moisture. People did, too.
      She stepped inside her studio and paused, as she always did, to look at the shelves. Rows of bowls, jars, and pitchers—some glazed to brilliance, others cracked and retired to the windowsill where sunlight streamed through their fractures. She had never thrown the broken ones away. Light did beautiful things through broken clay.
         When the first knock at the door sounded, she smoothed her curly dark hair, adjusted her glasses, and tied her quilted apron securely around her waist. 

“Come on in,” she called to her students. “Class today will focus on wheel throwing.”
      Students filtered through the doorway—adults seeking hobbies, teenagers seeking purpose, couples seeking something shared. Sage greeted each with steady warmth. She had learned that people entered studios the way they entered sanctuaries: cautiously hopeful.
      In the back of the room, Alfred Odin was already seated at his wheel. His gray hair caught the morning light as he wedged clay with unnecessary force. Sage recognized the rhythm of his frustration before he spoke.
      “I just can’t get it right,” Alfie muttered.
      She smiled inwardly. Alfie had been wrestling clay—and God—since they were young.

“God bless you, Alfie,” she said gently, crossing to him and brushing a quick kiss against his cheek. As she did, she noticed the familiar outline pressing against his trousers. “Is your rosary still hidden in your pocket?” she asked quietly. “For someone who loves to argue with the Lord, you have a funny way of always carrying a cross.”

He scowled, though she saw the faintest twitch at the corner of his mouth. The beads slipped partly into view as he slammed the clay onto the wheel head.

At the front of the studio, the hand-carved sign hung above the blackboard. Sage ran her thumb along its grooves. It read: “O Lord, You are our Father; we are the clay, and You our potter; and all of us are the work of Your hand. Isaiah 64:8.”

She had carved it years ago during a season when her own life had felt violently reshaped. The memory tightened her chest for a moment, then softened.

“The first major question,” she said, turning to her class, “is what will you allow God’s hands to make of your life? Are you workable?” She let her gaze drift—not lingering too long on Alfie. “The second question is what will you make with your own hands? And why?”

A married couple near the shelves exchanged glances. One of the men whispered, “I didn’t know we’d signed up for a church class.”
      Sage pretended not to hear. She had long ago accepted that some would bristle before they listened.
      “Before we begin,” she announced, clapping once, “we’re going to stand and sing praise. If you don’t know the words to ‘Have Thine Own Way, Lord,’ they’re written on the board. Just sing along.”
      The hymn rose unevenly. Some voices were timid, others bold and off-key. From the back, Alfie crooned with theatrical weariness, conducting as though leading a reluctant choir. Sage suppressed a laugh. He masked discomfort with humor; she had always known that.
      When they settled, she placed a heavy lump of clay onto her wheel. 

“Now,” she said, “today I’m going to teach you the basics. By the time we’re finished, I want to hear what you made and why.”
      Her hands pressed firmly as the wheel began to spin. She centered the clay, feeling the wobble resist her palms. Centering required equal pressure on both sides—too little and the clay buckled, too much and it tore. She thought of seasons when she herself had resisted pressure, not understanding that it was saving her from collapse.
      “I’m not an artist,” the husband—Wilbur—declared suddenly.
      Sage lifted her eyes. There it was again: the lie people told themselves before they even began. 

“Your thoughts are mighty strong,” she replied calmly. “If you speak negativity, that’s all you’ll get. You’ve already been at the wheel of your life. How has that been going?”
      The teenagers snickered softly. Sage felt the room tilt toward curiosity.
      Wilbur cleared his throat. “It’s going better since I walked into your studio this morning,” he said. 
      Sage inclined her head. “So glad to hear that,” she said. 
      She lifted the clay slowly, letting it rise between her fingers into the beginnings of a vessel. 

“First, you prepare the clay,” she said. “It can’t be too wet or too dry. There can’t be bubbles hidden inside, or it might explode in the furnace.” She let that linger. “God prepares us the same way.”
      From behind her, Alfie muttered, “Or bakes you until you crack.”
      She did not turn. “Even if clay has been used before,” she continued steadily, “it can be made workable again.” She allowed herself a brief glance toward him. “God is always reworking at His wheel, as it seems good to Him to do.”
      As the morning wore on, the studio filled with the soft hum of spinning wheels and the whisper of shaping hands. Sage moved among her students, guiding fingers inward, steadying trembling wrists. She noticed who grew impatient, who leaned in eagerly, who feared collapse. Each person revealed themselves in the clay.
      When she reached Alfie again, his bowl leaned crookedly, one side thin and fragile. He stared at it as though it had betrayed him.
      “It’s lopsided,” he said.
      Sage studied the curve thoughtfully. She saw not failure but tension—too much force on one side, not enough surrender on the other. 

“It can be reshaped,” she answered quietly. “If you’re willing to press again.”
      He sighed but began kneading the clay back into a mound. She watched his hands—strong hands, capable hands. She had once imagined those hands building a life beside hers. Instead, they had built walls.
      “God is going to make something great out of you yet, Alfie,” she said lightly, though her heart carried the weight of it. “He loves you too much to leave you as you are.”
      He rolled his eyes. “She’s been in love with me since we were teenagers,” he called to the class, attempting to disrupt the tenderness. “Her vessel has a few cracks.”
      A ripple of laughter moved through the room. Sage felt heat rise to her cheeks but refused embarrassment. 

“It took a lot of molding,” she replied evenly, “but the Lord brought me this far.”
      The class returned to their wheels. By late afternoon, tables were lined with earthen vessels—crooked, sturdy, tentative, bold. Sage explained the firing process: first the kiln, then glazing, then the second firing that sealed color into permanence. She always loved that part—the reminder that transformation was rarely a single event.
      As the students gathered their belongings, she gestured toward the cracked pieces on the windowsill. 

“Even broken pottery can catch the light,” she said. “Remember that when you look at your finished creation. You are a vessel, too.”
      When the door finally closed behind the last of them, the studio settled into silence. Sage remained at her wheel, hands resting on cool clay. The room still carried the echo of hymn verses and hesitant laughter.
      Behind her, Alfie’s wheel slowed to a stop. She felt the quiet shift in him—the subtle stillness that sometimes followed resistance. When she turned, she saw the rosary resting in the center of the wheel, the beads catching the last of the afternoon light. 

Sage did not speak. 

Beyond him, the cracked vessels along the windowsill glowed softly as the sun dipped low, light threading through their fractures. She let her hands rest against the cool clay and watched the wheel, still turning, slow to silence.


Copyright 2023, 2026 Jennifer Waters



Pen Jen's Inkwell Podcast version:

“Come on in,” invited Sage Conrad, a renowned potter in Charleston, South Carolina, who was also known for her studio called The Wheel. “Class today will focus on wheel throwing,” she explained as a handful of students entered her studio’s front door on the June morning.

As legend had it, anyone who was a student of Sage’s was sure to experience a miracle, not like a hokey, made-up one, but a deep, mystical encounter that caused the person to change from the inside out. Like most mornings, her longtime friend Alfred Odin sat in the back of the studio, reshaping the clay on his wheel. 

“I just can’t get it right,” the gray-haired man moaned. “Sage, I know you think that your new students are here for life lessons, and you have something to teach them, and they have something to teach you. I don’t want to hear it. I really don’t.”

“God bless you, Alfie,” she laughed, kissing him on the cheek. She fixed her curly dark hair and adjusted her glasses as she put on her quilted apron. “Is your rosary still hidden in your pocket? For someone who loves to curse God, you have a funny way of always carrying a cross in your pocket just in case He might be watching you. Will you ever learn?” she asked, shaking her head.

“You don’t have to tell everyone my secrets,” Alfie snapped, slamming the clay onto the center of the wheel head. As his rosary stuck out of his pocket, he used his fingers to open the clay. 

Since his bowl was a bit lopsided, he started over again, kneading the clay like dough. 

“O Lord, You are our Father, we are the clay, and You our potter; and all of us are the work of Your hand,” Sage read from the hand-carved sign at the front of her class, quoting Isaiah 64:8. “The first major question is what will you allow God’s hands to make of your life? Are you workable? The second major question is what will you make with your own hands? And why?”

“Jesus help me, I have heard this speech so many times,” Alfie mumbled, reforming the walls of his piece, which was starting to resemble a small, crooked bowl. “Next, she will talk about being a willing vessel for the purposes of the Lord. If I have to hear this one more time . . .”

“Before we begin, we need to stand up and sing praise,” Sage instructed. “Everyone on your feet! If you don’t know the words to ‘Have Thine Own Way, Lord,’ they are on the blackboard. Just sing along, even if you don’t know the tune,” she gestured, pointing to four verses of lyrics.

“Have Thine own way, Lord, have Thine own way; Thou art the Potter, I am the clay,” Alfie crooned, wearily conducting from the back of the room as the class sang off- key. He stammered under his breath: “My favorite song of all time.”

“Now, today, I am going to teach you the basics of making pottery on a wheel,” Sage announced to the students as they sat down. Several broken and cracked pieces of pottery sat on a windowsill at the front of the class as light shone through them. “By the time we are finished, I want to hear what you made and why. I’m hoping that you are an open and willing vessel for the Lord, even with your cracks. There’s nothing better that you could be in the whole wide world!”

“I didn’t know that we had signed up for a church class,” one of the adult students whispered. 

“Hush, Wilbur, she’s the best potter in the state,” his wife, Minerva, insisted. “Look at her pottery on the shelves, even the broken ones are magnificent. I’ve never seen such beautiful and elegant pieces.”

Meanwhile, a group of teenagers were taking notes, wanting to mold their clay into greatness.

“I think she’s making a lot of good points,” one of the girls whispered to the others.

“I’m doing this for you, Minerva, because I love you,” Wilbur stated, making the teenagers giggle. His wife shook her head. “I’m not an artist.”

“Did I hear you say that you’re not an artist?” Sage eavesdropped. 

"Yes, ma'am," Wilbur stated. "Art is not for everyone."

“Your thoughts are mighty strong, and if you speak negativity, that’s all you’ll get. You are an artist. You’ve already been at the wheel of your life. How’s it been going?”

“His mistake,” Alfie sighed, rolling his eyes. “He should’ve known better than to argue!”

“It’s going even better since I walked into your studio this morning,” Wilbur assured Sage. 

“So glad to hear that! The first thing you’re going to learn is his how to take a lump of clay and make it into a ball,” Sage taught. “First, you must prepare the clay, just like God prepares you.”

“God prepares you,” Alfie quipped, giving up for the morning. “The clay can’t be too wet or too dry, and you can’t have bubbles, or you might explode when He bakes you in the furnace.”

“Even if the clay has been used before, it can be made workable again,” Sage nodded at Alfie. “God is always working and reworking at His wheel, as it seems good for Him to do.”

Much of the class listened to Sage in awe, realizing that she had a higher awareness than most of them during their daily lives, yet it seemed they were soft enough to be molded by her. 

“God is going to make something great out of you yet, Alfie,” Sage joked, looking at his latest creation with a critical eye. “He might have to break you first, if you won’t bend, but He will get his way. He loves you too much to leave you in your current condition, and so do I.”

“She’s been in love with me since we were teenagers,” Alfie blurted, interrupting her class on the way out the door. “She could never admit how much she loved me. Her vessel has a few cracks!”

“It took a lot of molding, but the Lord brought me this far, didn’t He Alfie?” Sage smiled, sitting down in front of a treadle wheel to teach the class her techniques firsthand. “On the contrary, Alfie is so stubborn and hard-headed that sometimes he misses the blessing as a crackpot!”

Despite the spat between Sage and Alfie, the students crafted their clay jars with care. 

By the end of the day, the pupils had each made some sort of earthen vessel, ready for the first firing of the kiln, and then the glazing, and then firing their handiwork for the second time. 

“I receive whoever the Lord sends me,” Sage explained as the students departed for the day. “Now, every time you look at your finished creation, you can remember that you are a willing vessel. What stories I have from students over the years! It has been no greater honor than to be clay in the hands of the Potter. Who knows what miracles you will now experience!” 

 

Copyright 2023 Jennifer Waters


https://soundcloud.com/jen-waters/the-potters-house